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The Library Is Open

A blog about books and writing, through rainbow-tinted glasses. Every book gets a gay rating.

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Tag: Contemporary

Review: Tomb Of Sand by Geetanjali Shree (translated by Daisy Rockwell)

An epic novel that pushes at the boundedness of things.

Contemporary, Fiction, India, LGBTIQ, Man Booker International, Novel, queer, Transgender, Translation

Review: Losing Face by George Haddad

A comin-of-age that troubles long after the final sentence.

Arabic writing, Australian, Contemporary, Fiction, Novel, queer, Western Sydney

Review: Australiana by Yumna Kassab

An all-too-human portrayal of the people who live on the land.

Australian, Climate change, Contemporary, Fiction, Novel, Rural

Review: Sex And Vanity by Kevin Kwan

A fizzy adaptation of E. M. Forster’s A Room With A View.

Contemporary, Fiction, Italy, New York, Novel, Racism, Romance

Review: An Exciting And Vivid Inner Life by Paul Dalla Rossa

Stories that illuminate the condition of the modern world.

Australian, Contemporary, Fiction, gay, LGBTIQ, queer, Short stories

Review: Companion Piece by Ali Smith

A fittingly grim and anxious search for meaning in our anxious and grim times.

Ali Smith, Contemporary, COVID-19, Fiction, Novel, UK

Review: A History Of Dreams by Jane Rawson

A witty and delightful novel about fighting evil.

Australian, Contemporary, Fascism, Female writers, Feminism, Fiction, Historical, Novel, Spec-fic, Witches

Review: Leave The World Behind by Rumaan Alam

A gleefully silly horror-comedy of the end of the world.

Apocalypse, Contemporary, Fiction, New York, US

Review: Bodies Of Light by Jennifer Down

A novel of surviving extraordinary trials.

Australian, Contemporary, Fiction, Melbourne, Novel, Stella Prize

Review: Son Of Sin by Omar Sakr

A heady mix of mundane and heavenly, the sins of the flesh and the yearning of the spirit.

Arabic writing, Australian, Bisexual, Contemporary, Fiction, Islam, Lebanon, LGBTIQ, Middle East, Novel, queer, Sydney, Turkey

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A new Alexis Wright book is something to anticipate feverishly and with a little trepidation. Her latest, vast novel is her most intimidating yet, a 700-page “open-wound theatre” about the town of Praiseworthy on the Gulf country of northern Australia.
I read this amazing book a little while ago, and it’s had a powerful impact on the way I look and listen to the world around me. It’s a beautiful history of family and country that richly evokes Debra Dank’s Gudanji land in the dust and gravel country of the south-western Gulf Of Carpentaria.
This retelling of E. M. Forster’s Maurice is a fast-paced, horny exercise in wish fulfilment, told from the perspective of Maurice’s lover Alec.
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